

Good morning from a cool Hastings morning.
This weeks challenge from Photography 101: Shooting in Black and White was a great one for me. I love black and white, having done a lot of old fashion dark room printing, but the digital age now takes it so much further than I could have done in the dark room.
These photos were taken last night in the CBD of Hastings. My daughter had to take a last series of shots for her portfolio for her final assessment at school. So, of course, I went along for moral support, but also to take my own shots. We had to be careful not to get in each other’s way.
I used Aperture to change to black and white or sepia and then went to FX Photostudio Pro to add the frames and other affects. The first set of photos show the Art Deco lighting around the CBD.


I used the medium contrast conversion to give a sharper look, but not take too much of the detail away. I pixilated this photo for the grainy affect.


For these chandeliers I inverted the image so that the background got lost and the focus went onto the lights themselves.


The train tracks run directly through the centre of the CBD, right bang smack in the middle of this water feature. I used the vintage setting and a grunge frame to give an antique feel to it.


I had already converted to black and white, and then sepia tone to this image looking north. Then I added another sepia tone to it to change the colour tone completely and then added the grunge frame to give this a more rural setting. Not an urban setting as it is in real life.


For this one I went for the Noir blue conversion. I wanted to give this a more surreal look about this sculpture.


There are some tall sculptures to the side of the main square with some really interesting nuts and bolts which make for some interesting photos. I used the vintage filter for this one.


This photo had a vintage green filter applied to it which I think enhanced the texture of the iron on this link.
I love black and white, but also enjoy adding filters to make completely different photos.

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